Van Stenis's curatorial practice focuses on the preservation and presentation of digital and immaterial art, with particular emphasis on Latin-American net art and post-internet culture. Working with curator Helena Acosta, Van Stenis was among the first curators to create spaces for digital art exhibition in Venezuela. Her projects emphasize collaborative, non-hierarchical models and the democratization of art presentation.
Beautiful Interfaces Deepweb/Darknet – P2P Gallery, is a project focus in create file-sharing networks to show and support media art as a data outside of the conventional WWW. Created in 2013 by Miyö Van Stenis is the first exhibition that took place on the Deepweb.
The Wrong Router is a portable device that creates a local Wi-Fi network to exhibit digital art anywhere without internet, screens, or physical space. Acting as a mobile micro-gallery, it empowers artists, curators, and institutions to broadcast shows autonomously, transforming any environment into an immediate site for exhibition and public encounter.
First curatorial project of the artist and first of his kind in Venezuela, DeOrigenBélico was a Digital T.A.Z, a digital space focus on streaming new media art in Latin-American. Midnight sessions displayed works from new media artists, either from a curatorial research or by an open call.
Dismantling the Simulation is a participatory visual-activism project born during the 2014 Venezuelan protests, using collective digital creation to counter state propaganda, expose media silence, and construct an alternative contemporary history through decentralized, critical, and collaborative visual responses to violence, censorship, and the lived realities of a nation in crisis.
SPAMM - Super Modern Museum of Art is a virtual museum dedicated to net art, founded in 2011 by Systaime and Thomas Cheneseau. In 2013, SPAMM Dulce, curated by Helena Acosta, and Miyö Van Stenis, brought this digital movement into the Contemporary Museum of Caracas, presenting experimental online artworks within a major institutional context.
BYOB Caracas was a one-night exhibition inviting artists to bring their own projectors and transform a shared space into a collective site of experimental moving-image art. As a spontaneous, open, and collaborative event, it activated Caracas’ digital art community through immediacy, participation, and ephemeral audiovisual intervention.